阿燕，萬年不變的道具組員；小淇，初出茅廬的龍套角色。兩位就讀大學，有著各自無奈的邊緣人在一齣《玩偶之家》的製作中相遇：阿燕身心俱疲，預計這是最後一次放手一搏的追求；小淇缺乏勇氣，思考回到一成不變的生活。工作中，劇場時而呼應人生，他們在翼幕中一搭一唱，於彼此的陪伴中輕撫憂傷，冥冥中成為拯救彼此的存在。 Two lovable yet fairly unimportant people meet on the set of a theatre production of “A Doll’s House”. Yen, a hardworking stagehand with a back problem, is tired to the point of exhaustion and considers returning to school. Chi, an aspiring actress with less than ten lines in the entire play, feels defeated by life and thinks about giving up on her dreams. Guy meets Girl, and the two develop a symbiotic friendship as they work together on various tasks. Between fiction and reality, they find comfort in one another, and soothe each other at a time of sadness, revealing their budding love through the transcendent art form that is the theatre.